Equipo de investigación

Calendario de actividades

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Contacto

Fernando Zóbel de Ayala Professor of Spanish Art, Department of History of Art and Architecture
Harvard University

Fernando Zóbel de Ayala Professor of Spanish Art, Department of History of Art and Architecture, Harvard University. Has previously taught at the Johns Hopkins University, the Universidad Autónoma de Madrid, and the Instituto de Investigaciones Estéticas (Universidad Autónoma de México). He has worked on History of Architecture and Cartography, Architectural Theory and religious imagery of Late Medieval and Early Modern Spain.

Selected recent publications:

Book:

Las imágenes de la discordia. Política y poética de la imagen sagrada en la España del 400. Madrid: Marcial Pons, 2007.

 

Articles/book chapters:

• “The Invisible? New World”, The Art Bulletin March-June 2010 XCII 1-2, 2010, pp. 47-52.

• “The Shelter of the Savage.  The Forest Façade of the San Gregorio Colegio, from Castile to the New World”, in Medieval Encounters 16, 2-4, 2010, pp. 268-359.

• “Through a Glass Darkly:  Paths to Salvation in Spanish Painting at the Outset of the Inquisition”, in Judaism and Christian Art, David Nirenberg y Herbert L. Kessler (eds), Penn. University Press, 2010,  pp. 263-290.

• “La conversión por la imagen, y la imagen de la conversión: notas sobre la cultura figurativa castellana en el umbral de la Edad Moderna”, in Joan Sureda, ed., Cartografies Visuales. Barcelona, 2011, pp. 227-241.

• “Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain”, in Reassesing the Role of Women as Makers in the Middle Ages, Therese Martin, ed., Leiden: Brill 2012, pp. 937-988.

• “Measuring Jerusalem: The Marquis of Tarifa’s Pilgrimage in 1520 and its Urban Consequences”, en F. Nevola, F. Bardati (eds.), Tales of the City, Oxford, 2012, pp. 77-102.

• “Sombras y cuadros: teorías y culturas de la representación en la Europa de la Reforma Católica”, en José Riello, ed., La teoría de la pintura en el Siglo de Oro (1560-1724), Madrid: Abada-Museo Nacional del Prado, 2012, pp. 69-86.

• “A propósito de los alumbrados: confesionalidad y disidencia religiosa en el mundo ibérico”, La Corónica 41.1 (2012), pp. 109-148. With Mercedes García-Arenal.

• “El Greco, Painting and Collective Memory”, in El Greco’s Visual Poetics, The National Museum of Art, Osaka, 2012, pp. 182-188, 254-263

• “”Eyes that they should not see, and ears that they should not hear”: Literal Sense and Spiritual Vision in the “Fountain of Life”, in Ralph Dekoninck, ed., To tell, to think and to experience religious images in the early modern period. Peeters, 2013.